Gilda Susan Radner

Radner battled bulimia during her time on the show. She once told a reporter that she had thrown up in every toilet in Rockefeller Center.^[8] She had a relationship with SNL castmate Bill Murray, with whom she had also worked at the National Lampoon, that ended badly. Few details of their relationship or its end were made public at the time. When Radner wrote It’s Always Something, this is the only reference she made to Murray in the entire book: “All the guys [in the National Lampoon group of writers and performers] liked to have me around because I would laugh at them till I peed in my pants and tears rolled out of my eyes. We worked together for a couple of years creating The National Lampoon Show, writing The National Lampoon Radio Hour, and even working on stuff for the magazine. Bill Murray joined the show and Richard Belzer …”^[10]

In 1979, incoming NBC President Fred Silverman offered Radner her own prime time variety show, which she ultimately turned down.^[9] That year, she was one of the hosts of the Music for UNICEF Concert at the United Nations General Assembly.

Alan Zweibel, who co-created the Roseanne Roseannadanna character and co-wrote all of Roseanne’s dialogue, recalled that Radner, one of three original SNL cast members who stayed away from cocaine, chastised him for using it.^[11]

Radner had mixed emotions about the fans and strangers who recognized her in public. She sometimes became “angry when she was approached, but upset when she wasn’t.”^[8]

In the fall of 1988, after biopsies and a saline wash of her abdomen showed no signs of cancer, Radner was put on a maintenance chemotherapy treatment to prolong her remission, but later that same year, she learned that her cancer had returned after a routine blood test showed her levels of the tumor marker CA-125 had increased.^[15] She was admitted to Cedars-Sinai Medical Center in Los Angeles on May 17, 1989 for a CAT scan. Despite being fearful that she would never wake up, she was given a sedative but passed into a coma during the scan. She did not regain consciousness and died three days later from ovarian cancer at 6:20 am on May 20, 1989; Wilder was at her side.^[6][16]

Gene Wilder had this to say about her death:

She went in for the scan – but the people there could not keep her on the gurney. She was raving like a crazed woman – she knew they would give her morphine and was afraid she’d never regain consciousness. She kept getting off the cart as they were wheeling her out. Finally three people were holding her gently and saying, “Come on Gilda. We’re just going to go down and come back up.” She kept saying, “Get me out, get me out!” She’d look at me and beg me, “Help me out of here. I’ve got to get out of here.” And I’d tell her, “You’re okay honey. I know. I know.” They sedated her, and when she came back, she remained unconscious for three days. I stayed at her side late into the night, sometimes sleeping over. Finally a doctor told me to go home and get some sleep. At 4 am on Saturday, I heard a pounding on my door. It was an old friend, a surgeon, who told me, “Come on. It’s time to go.” When I got there, a night nurse, whom I still want to thank, had washed Gilda and taken out all the tubes. She put a pretty yellow barrette in her hair. She looked like an angel. So peaceful. She was still alive, and as she lay there, I kissed her. But then her breathing became irregular, and there were long gasps and little gasps. Two hours after I arrived, Gilda was gone. While she was conscious, I never said goodbye.

Her funeral was held in Connecticut on May 24, 1989. In lieu of flowers, her family requested that donations be sent to The Wellness Community. Her gravestone reads: “Gilda Radner Wilder – Comedienne – Ballerina 1946-1989″. She was interred at Long Ridge Union Cemetery in Stamford, Connecticut.^[17]

By coincidence, the news of her death broke on early Saturday afternoon (Eastern Daylight Time), while Steve Martin was rehearsing as the guest host for that night’s season finale of Saturday Night Live. Saturday Night Live personnel—including Lorne Michaels, Phil Hartman, and Mike Myers (who had, in his own words, “fallen in love” with Radner after playing her son in a BC Hydro commercial on Canadian television and considered her the reason he wanted to be on SNL)^[18]—had not known she was so close to death. They scrapped Martin’s planned opening monologue and instead, Martin, in tears, introduced a video clip of a 1978 sketch in which he and Radner parodied Fred Astaire and Cyd Charisse in a well-known dance routine from The Band Wagon.

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David William “Dave” Thomas

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Charles Dawson “Daws” Butler

Daws Butler was born on November 16, 1916 in Toledo, Ohio, the only child of Ruth Butler and Charles Allen Butler. The family later moved from Ohio to Oak Park, Chicago, where Butler got interested in impersonating people.^[1]

In 1934, the future voice master started as an impressionist, entering multiple amateur contests and winning most of them. He had entered them, not with the intention of showing his talent but as a personal challenge to overcome his shyness, with success. Nonetheless, Butler won professional engagements at vaudeville theaters. Later he teamed up with fellow performers, Jack Lavin and Willard Ovitz to form the comedy trio The Three Short Waves. The team played in theaters, radio and nightclubs, generating positive reviews from regional critics and audiences. They dissolved when in 1941, Daws Butler joined the U.S. Navy as America entered World War Two. Some time after, he met his wife Myrtis during a wartime function atNorth Carolina.

His first voice work for an animated character came in 1948 in the animated short Short Snorts on Sports, which was produced by Screen Gems. That same year at MGM, Tex Avery hired Butler to provide the voice of a British wolf on Little Rural Riding Hood and also narrate several of his cartoons. Throughout the decade, he had roles in many Avery-directed cartoons; The Fox in Out-Foxed, The Narrator in The Cuckoo Clock, The Cobbler in The Peachy Cobbler, Mr. Theeves in Droopy’s “Double Trouble”, Mysto the Magician in Magical Maestro, John the Cab and John the B-29 Bomber in One Cab’s Family and Little Johnny Jet and Maxie in The Legend of Rockabye Point.

Starting with The Three Little Pups, Butler provided the voice for a nameless wolf that spoke in a Southern accent and whistled all the time. This character also appeared in Sheep Wrecked, Billy Boy and many more cartoons. While at MGM, Avery wanted Butler to try to do the voice of Droopy, at a time when Bill Thompson had been unavailable due to radio engagements. Instead Butler then told Avery about Don Messick, another voice actor and Butler’s lifelong friend, who could imitate Thompson. Thus Messick voiced Droopy on several shorts.^[2]

In 1949, Butler landed a role in a televised puppet show created by former Warner Bros. cartoon director Bob Clampett called Time for Beany. Butler was teamed up with Stan Freberg, and together they did all the voices of the puppets. Butler voiced Beany Boy and Captain Huffenpuff. Freberg voiced Cecil and Dishonest John. An entire stable of recurring characters were seen. The show’s writers were Charles Shows and Lloyd Turner, whose dependably funny dialog was still always at the mercy of Butler’s and Freberg’s ad libs. Time for Beany ran from 1949 to 1954 and won several Emmy Awards. It was the basis for the cartoon Beany and Cecil.

In Mr. Magoo, the UPA theatrical animated short series for Columbia Pictures, Butler voiced the part of Magoo’s nephew Waldo (also voiced by Jerry Hausner at various times).

Butler briefly turned his attention to TV commercials, although he quickly moved to providing the voice to many nameless Walter Lantz characters for theatrical shorts later seen on the Woody Woodpecker program. His notable character was the penguin “Chilly Willy” and his sidekick, the southern-speaking dog Smedley (the same voice used for Tex Avery’s laid-back wolf character).

Also in the 1950s, Stan Freberg asked Butler to help him write comedy skits for his Capitol Records albums. Their first collaboration, “St. George and the Dragon-Net” (based on Dragnet), was the first comedy record to sell over one million copies. Freberg was more of a satirist who did song parodies, but the bulk of his “talking” routines were co-written by, and co-starred, Daws Butler. Butler also teamed up again with Freberg and cartoon actress June Foray in a CBS radio series, The Stan Freberg Show, which ran from July to October 1957 as a summer replacement for Jack Benny’s program. Freberg’s box-set, Tip of the Freberg (Rhino Entertainment, 1999) chronicles every aspect of Freberg’s career except the cartoon voice-over work, and it showcases his career with Daws Butler.

In 1957, when MGM closed down their animation division, producers William Hanna and Joseph Barbera quickly formed their own company, and Daws Butler and Don Messick were on-hand to provide voices. The first, The Ruff & Reddy Show where Butler voiced Reddy, set the formula for the rest of the series of cartoons that the two would helm until the mid-1960s.

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Bill Macy

Macy is best-known for playing Walter Findlay, the long-suffering husband of the title character on the 1970s television sitcom Maude. He was also an original cast member of the long-running theatrical revue Oh! Calcutta! He has made more than 70 appearances on film and television, including a memorable role as the co-inventor of the ‘Opti-grab’ in the 1979 Steve Martin comedy The Jerk, and as the head television writer in My Favorite Year (1982).

He appeared occasionally on Seinfeld as one of the residents of the Florida retirement community in which Jerry Seinfeld‘s parents lived. He also appeared on the short-lived sitcom Back to You.^[2] He made a guest appearance as a patient on Chicago Hope and an aging gambler on the series Las Vegas. In 2006 he made an appearance on My Name is Earl in the second season episode, “Van Hickey“, as an elderly patient in a nursing home who claims he “once tongue-kissed a Jamaican woman”.

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Elizabeth Victoria Montgomery

The daughter of Robert Montgomery, she began her career in the 1950s with a role on her father’s television series Robert Montgomery Presents. In the 1960s, she rose to fame as Samantha Stephens on the ABC sitcom Bewitched. Her work on the series earned her five Primetime Emmy Awardnominations and four Golden Globe Award nominations. After Bewitched ended its run in 1972, Montgomery continued her career with roles in numerous television films. In 1974, she portrayed Ellen Harrod in A Case of Rape and Lizzie Borden in the 1975 television film The Legend of Lizzie Borden. Both roles earned her additional Emmy Award nominations.

Montgomery was married four times, most notably to actor Gig Young and producer/director William Asher with whom she had three children. Her fourth and final marriage was to actor Robert Foxworth, with whom she lived for twenty years before marrying in 1993. Montgomery died of colorectal cancer in May 1995, eight weeks after being diagnosed with the disease.

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Dwayne Bernard Hickman

Hickman is known primarily for his “teenager” roles on television sitcoms. The naturally brown-headed Hickman portrayed Chuck MacDonald, Bob Collins’s (played by Bob Cummings) crazy teenaged nephew, on the popular 1950s NBC series The Bob Cummings Show (a.k.a. Love That Bob in reruns), and then the blond title character in CBS‘s The Many Loves of Dobie Gillis.

Born in Los Angeles, Los Angeles, California, Hickman is the younger brother of child actor Darryl Hickman. One of his earliest screen appearances was in the 1942 Our Gang comedy Melodies Old and New. He and Darryl co-starred in an early episode of the syndicated military drama Men of Annapolis, filmed at the United States Naval Academy in Annapolis, Maryland. As a teenager, he and Darryl also guest-starred in the same episode of The Lone Ranger.^[1]

Hickman gained wide notice as the character Chuck on The Bob Cummings Show from 1955 to 1959. At the time, he was a student at Loyola University (now known as Loyola Marymount University) in Los Angeles. Hickman became one of the first stars ever to have a breakout character in the series.

Hickman considered Bob Cummings a childhood television hero, having once said that Cummings taught him all that he knew about acting.^[1] He worked with and was friends with Cummings throughout the show’s five seasons.^[1][2] The role as Chuck MacDonald probably led to Hickman’s being cast in the lead of The Many Loves of Dobie Gillis. Frank Faylen and Florida Friebus played his opposite-minded parents. Although at the show’s debut the Dobie character was still a teenager in high school, Hickman was already twenty-five years old.

After playing Dobie for four years (with fellow former Loyola student Bob Denver as his sidekick, Maynard G. Krebs), Hickman found himself stereotyped as a “youngster” just at the time of his life when he was really too old for such roles. He appeared in some minor beach films and made an unsuccessful television pilot for a program in which he would have portrayed a schoolteacher. James Franciscus was thereafter cast as Mr. Novak, a high school English teacher on another NBC series.

On June 23, 1960, Hickman appeared on NBC’s The Ford Show, Starring Tennessee Ernie Ford. He and Annette Funicello appeared thereafter together in an episode of ABC‘s circus drama The Greatest Show on Earth, starring Jack Palance. In 1965, Hickman appeared in the comedy film Cat Ballou along with Jane Fonda and Lee Marvin. During the 1965-1966 television season, he appeared as a guest star on the episode “Run Sheep Run” on ABC’s drama Combat! as a soldier who froze during an attack by a German machine gun nest which resulted in the death of a fellow GI.

Hickman thereafter found his future in entertainment behind the scenes, having become involved in production roles. He became a programming executive at CBS, a role which he has since spoofed in several on-camera roles. He also worked as a director on various television series, includingDesigning Women and Head of the Class.

He reprised his signature role of Dobie in two television reunion broadcasts, Whatever Happened to Dobie Gillis and Bring Me the Head of Dobie Gillis. His autobiography is entitled Forever Dobie.

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Tony Randall

Randall was a frequent guest on The Tonight Show Starring Johnny Carson and often spoke of his love of opera, saying it was due in no small part to the salaciousness of many of the plotlines. He also admitted to sneaking tape recorders into operas to make his own private recordings. He chided Johnny Carson for his chain-smoking, and was generally fastidious. At the time of his death, Randall had appeared as a guest on The Tonight Show 105 times, more often than any other celebrity.

Randall appeared frequently on What’s My Line?, Password, The Hollywood Squares, and the $10,000 and $20,000 Pyramids. He also parodied his pompous image with an appearance as a “contestant” on The Gong Show in 1977.

First aired on October 11 of 1980, Randall was a guest star on the 5th and final season of The Muppet Show. This was the 100th episode of the show.

Randall, along with John Goodman and Drew Barrymore was one of the first guests on the debut episode of Late Night with Conan O’Brien on 13 September 1993. He would also appear in Conan’s 5th Anniversary Special with the character PimpBot 5000. Randall was also a frequent guest on both of David Letterman‘s late-night shows Late Night with David Letterman and the Late Show with David Letterman, making 70 appearances, according to his obituary in the Washington Post; Letterman said that Randall was one of his favorite guests, along with Regis Philbin.

On November 7, 1994, Randall appeared on the game show Jeopardy!, as part of a Special Edition Celebrity Jeopardy! episode, playing on behalf of the National Actors Theatre. He came in second place after General Norman Schwarzkopf, Jr. and before Actress Stefanie Powers, with a final score of $9,900.^[8]

In 1999, Randall was featured in the Simpsons episode “Maximum Homerdrive” (season 10, episode 17). A picture of Randall is seen on a wall of fame in a steakhouse, displaying the only two persons who have finished a 16-lb. steak called “Sir Loinalot”.

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Harmon Clayton Killebrew

Killebrew was a stocky 6-foot tall, 195-pound^[2] hitter with a compact swing that generated tremendous power. He became one of the AL’s most feared power hitters of the 1960s, hitting 40 home runs in a season eight times. In 1965, he played in the World Series with the Minnesota Twins, who lost to the Los Angeles Dodgers. His finest season was 1969, when he hit 49 home runs, recorded 140 runs batted in (RBI), and won the AL Most Valuable Player Award. Killebrew led the league six times in home runs and three times in RBIs, and was named to eleven All-Star teams.

With quick hands and exceptional upper-body strength, Killebrew was known not just for the frequency of his home runs but also for their distance. He hit the longest measured home runs at Minnesota’s Metropolitan Stadium, 520 ft (160 m), and Baltimore’s Memorial Stadium, 471 ft (144 m), and was the first of just four batters to hit a baseball over the left field roof at Detroit’s Tiger Stadium. Despite his nicknames and his powerful style of play, Killebrew was considered by his colleagues to be a quiet, kind man. Asked once what hobbies he had, Killebrew replied, “Just washing the dishes, I guess.”^[3]

After retiring from baseball, Killebrew became a television broadcaster for several baseball teams from 1976 to 1988, and also served as a hitting instructor for the Oakland Athletics. He also divorced and remarried during this time, moving to Arizona in 1990 and chairing the Harmon Killebrew Foundation. Killebrew was diagnosed with esophageal cancer in December 2010, and died five months later.

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Lawrence Welk

After retiring from his show and from the road in 1982, Welk continued to air reruns of his shows, which were repackaged first for syndication and, starting in 1986, for public television. He also starred in and produced a pair of Christmas specials in 1984 and 1985.

Welk died from pneumonia in Santa Monica, California, in 1992 at age 89 and was buried in Culver City‘s Holy Cross Cemetery.

In 1996, Welk was ranked #43 on TV Guide’s 50 Greatest TV Stars of All Time.^[1]

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Frank John Gorshin, Jr.

Gorshin’s last television appearance was in “Grave Danger“, an episode of the CBS series CSI: Crime Scene Investigation which aired two days after his death; the episode, which was directed by Quentin Tarantino, was dedicated to his memory. While he was known for his impressions, his role on CSI was as himself.

Gorshin’s final live appearance was a Memphis performance of Say Goodnight, Gracie. He finished his performance and boarded a plane for Los Angeles on April 25. After he experienced severe breathing difficulty during the flight, the attendants gave him an emergency oxygen mask. Upon landing, Gorshin was met by an ambulance which took him to the hospital, where he later died on May 17, 2005, at the age of 72 from lung cancer, emphysema, and pneumonia. Gorshin had been a heavy smoker for most of his adult life, consuming up to five packs of cigarettes a day. Adam West claimed that “Frank could reduce a cigarette to ash with one draw.” When he did nightclub performances or live shows, audiences were warned not to attend if they disliked smoking.

He is interred at the Roman Catholic Calvary Cemetery in the Hazelwood section of Pittsburgh.

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